Amara Kaaviyam (Music)

Amara Kaaviyam marks the return of Jeeva Shankar ( director of Naan ) to wield the megaphone, as this film produced by Arya stars his brother Sathya and Mia George. Music is by M.Ghibran, so let's waste no time in reading more about the album.

Saridhanaa : Singers - Yazin Nizar, Thomson Andrews & Ghibran, Lyrics - Madhan Karky 

Ghibran starts the album with a bang, in the mesmerizing voices of Yazin Nizar, Thomson Andrews and himself. The song begins with a fast-paced acoustic guitar setup where the background music syncs itself wonderfully with the vocals. Later into the song, the tune shifts to a drummy beat with few injections from the electric guitar too. Karky's lyrics are an added asset, as this song climbs onto you in a jiffy.

Edhedho Ennamvandhu : Singers - Haricharan & Padmalatha, Lyrics - Parvathy 

The second song in the album is a slow track, as Haricharan takes the mic for the first time in a Ghibran album. Ghibran opts for a raindrop drum beat in this one, keeping it light at that. Haricharan stamps his class once again, as this is another good number on the whole.

Mounam Pesum : Singer - Chitra, Lyrics - P.Vetriselvan 

Ghibran is always well lauded for his choice of singers, and boy he does surprise you with the Chinna Kuyil Chitra for this one. A lovely keyboard byte kicks off the song and transforms to a heavenly tune along with the flawless vocals. Just when the song hits the high point, comes a strong chorus which takes you into a different world altogether. Three songs into the album and this composer is on a roll already.

Dheva Dhevadhai : Singers - Ranjith & Madhu Iyer, Lyrics - P.Vetriselvan

Ranjith and Madhu Iyer for the fourth track, and it is one of those boxy tunes we are familiar with, from his earlier albums. Though this song brings down the pep by a small margin, it is by no means a bad listen thanks to the heavy chorus which has been well panned out.

Dhaagam Theera : Singers - Padmalatha & Yazin Nizar, Lyrics - Asmin 

The voice we heard in 'Aruvakaaran' is back for the next track in this album, which is a song in pathos for a distanced love. The linchpin of this melody however, lies in the chorus crooned by Yazin Nizar. Padmalatha's compassionate vocals do manage to keep you pinned for this one, which has praise worthy lyrics by Asmin.

Edhedho Ennamvandhu : Singer - Sundar Narayana Rao, Lyrics - Parvathy

If you were looking for this man's voice which was missing so far in the album, it is here in the solo form of the second track. The voice, on the contrary sounds heavier compared to Haricharan's rendition of the same. A good cap on the album, nevertheless.

Ghibran has seriously carved a niche for himself in the Tamil music industry with his earlier albums, and Amara Kaaviyam is for sure, another feather in his cap. He impresses once again with his smart choice of vocalists, interesting interludes and tunes which have the capability to catch your attention at the earliest. Though Amara Kaaviyam does take a while to sink into the listener, it is going nowhere once that is done. Stupendous is the word for this composer, whose next two albums will be for the Ulaganayagan. We are waiting. 

Pick : Saridhanaa

Verdict : Lose yourself into a journey of spellbinding compositions. Precise, poetic and pounding.

4 / 5

Valeba Raja (Music)

After KLTA which had a good run at the Box Office, Santhanam is back with his team for Valeba Raja, which is touted as India's first psycho-comedy. Directed by Sai Gokul Ramnath, Valeba Raja has Santhanam, Sethu and Vishaka Singh in the lead. The audio was launched on the 25th of June, newbie Radhan the music composer. Is this a good debut?

Ennamo Pannura : Singers - Rajan, Ramee, Lyrics - Radhan 

Vaaliba Raja begins with Ennamo Pannura, which is a slow rap number which sounds more like a Sri Lankan song. Rajan's unique vocals along with the rap bits by Ramee work in favor of the song, which has a light kuthu interference as its keystone.

Oru Naal Oru Naal : Singers - Bobo Shashi, Veena Ghantasala, Lyrics - Na.Muthukumar 

Bobo Shashi, the son of Murali from the Sabesh-Murali duo croons this one along with Veena Ghantasala. The trump card in the album, Oru Naal Oru Naal is a swanky romantic number with influential lyrics by Na.Muthukumar.

Vaa Madhi Vadhana : Singers - Blaaze, Mukesh, Lyrics - Karky

Truly a fast-paced rap number with Blaaze and Mukesh on the mic, this song has clear lyrics about the confusions in love, written by Karky. Though the song has an engaging tune, the music goes overboard towards the end leaving the song jarring.

Nadukadalula : Sung and written by Gaana Bala

Gaana Bala is back! Albeit the intent being good to bring out all the recent famous numbers in one song, the loud tune along with Gaana Bala's vocals dont gel together, the end result being infuriating.

Ice Cream Penne : Sung and written by Arjun, re-arranged by Charles Bosco

A remix of the first song in the album, the final track in the album has vocals by Mumbai based artist Arjun. Re-arranged by Charles Bosco as the tracklist says, this song works too in its own ways.

After opting for Thaman in KLTA, Santhanam seems to have changed tracks and gone for a new composer in Radhan. His gamble has payed off, as Valeba Raja is a superb commercial fare. Except for that one Gaana Bala track, all the songs are highly listenable, making it an enjoyable album on the whole. 

Pick : Oru Naal

Another talented composer goes up on stage. Ritzy stuff from Radhan.

3 / 5

Madras (Music)

Pa.Ranjith who impressed one and all with Attakathi is back with his next film - Madras. Starring Karthi and Catherine Tresa in the leads, Madras is a rustic action movie set in a Chennai backdrop. Santosh Narayanan composes the music for this film, what's new here?

Chennai Vada Chennai : Singers - Hariharasudhan, Meenakshi Iyer, Oor Side Artists Vocal Group, Lyrics : Kabilan

The album begins with a song devoted to Madras and the hero's gang. Santosh Narayanan opts for an electronic dubstep base, which stays put for the whole song. The phrase which goes 'Enga Ooru Madras Idhukku Naanga Dhaane Address-uh' is a scream at first, but goes off track as it gets repetitive towards the end. Kabilan's lyrics speak highly about the hero's gang and their activities.

Kakidha Kappal : Singer - Gaana Bala, Lyrics - Gaana Bala

A love failure track rendered by none other than Gaana Bala, as he works with the lyrics as well. Santosh makes use of string orchestrations along with a basic drum beat to span things out. Template Santosh Narayanan track.

Kaali Love Theme : Performed by the Studio Orchestra of Sydney ft. Pradeep Kumar

Short and sweet tune for Karthi's love track in the film. Does what is expected of it.

Naan Nee : Singers - Shakthishree, Deekshitha, Lyrics - Uma Devi 

Just when the album is progressing at a middling speed, Santosh Narayanan pulls the rabbit out of the hat. Divine is the word for this song, set to the beautiful vocals of Shakthisree Gopalan and Deekshitha. A splendid track on the whole, it talks about the love angles from a girlish perspective.

Agayam Theepidicha : Singer - Pradeep Kumar, Lyrics - Kabilan

If it was Aasai Oor Pulveli in Attakathi, it is Agayam Theepidicha in Madras. A slow track which climbs onto you, it is aided by some concerning lyrics from Kabilan. Pradeep Kumar's rendition leaves no stone unturned, as he is flawless in his parts, even with the acoustic guitar. Minimum instrumentation to maximum effect.

Irandhidhava : Singer - Gaana Bala, Lyrics - Gaana Bala

Gaana Bala returns for one last time in the album, where he croons a gloomy track which leaves the album dangling at its exit. Something necessary for the film, but certainly not for the album.

Although Madras unfurls the massy side of Santosh Narayanan, the composer seems to be still bound to his comfort zone. The instruments used and the choice of singers seem repetitive in all his albums, and innovation is a word of discussion here. Both the slow tracks work in favour of the album, which is otherwise conventional. 

Pick : Naan Nee

Verdict : Dwells into a different side of Santosh Narayanan, but it isn\'t totally bright out there.

3 / 5

Sarabham (Music)

With his previous release keeping the cash registers ringing, CV.Kumar brings out the audio of his next release - Sarabham. Starring Naveen, Saloni and Naren in the main cast, it is directed by Arun Mohan. Music is by Britto Michael, who earlier composed some hit tracks for Sundattam. Let's see how this one has fared out.

Pudhidhai Oru Iravu : Singers - Andrea, Britto Michael, Lyrics - GKB

Andrea's trendy voice kicks off the album on a breezy album. The composer Britto Michael himself grabs the mic alongside her, as his Yuvan-ish voice does aid the song become a good listen on the whole. The interlude which is loud and jarring could have been cut down a little.

Bodhaiyil Padhai Maarum : Singers - Anthony Dasan, Britto Michael, Lyrics - Kurinji Prabha

Nothing much to say about this track, which stays pedestrian. Anthony Dasan's does a Gaana Bala cameo here along with Britto Michael again. Opening up, this tune sounds like a quicker version of the first, sans the loud interlude.

Neram : Singer - Usha Uthup, Lyrics - Kurinji Prabha

Usha Uthup induces her divine flavour into this song, which is composed on a grand scale. Britto's talent is in full flow here, as both the vocals and the interludes compliment each other very well. Not a potential chartbuster, but surely one where the composer has carved his mark. Kurinji Prabha has injected much more care into the lyrics, unlike the other songs.  

Sarabham Theme : Singer - Rabbit Mac @ Psycho Unit

What starts off like a WWE entrance bit sways towards one which will perfectly fit the tone of the film. Rabbit Mac from Psycho Unit holds responsibility of the vocals, as this gets engaging when the chorus goes Sarabham!! A fitting theme to end the album.

Sarabham is neither a good nor a bad album. Britto's casual numbers which struck a good tone amongst the youth in Sundattam, is missing here. The composer seems to have worked towards the theme of the film and as a result, goofed up on what he is capable of. A hunky-dory album, with two good tracks.

Pick : Pudhidhai Oru Iravu

Verdict : Britto's second outing is a cat on the wall.

2.5 / 5

Yaan (Music)

The Jiiva - Harris combo returns after two hit albums Ko and Endrendrum Punnagai, for Yaan which is an action thriller directed by Ravi K.Chandran. Harris' track record shows that he has provided good tracks for films in this genre, let's see how this one has fared out.

Hey Lamba Lamba : Singers - Devan Ekambaram, Divya Vijay, Lyrics - Vaalee

The album begins with a peppy medley, sung meticulously by Devan Ekambaram. His voice fits perfectly to the lively feel of the song. Though the song boasts of a catchy hum, the interludes which include the usual rap bits from Harris fall flat, thereby taking away the essence of the number. Vaali's lyrics too, go unnoticed in this one.

Aathangara Orathil : Singer - Gaana Bala, Lyrics - Kabilan

Talk about experimentation. Harris picks Gaana Bala to croon a ghetto track, and the result is overwhelming. Aathangara Orathil is one of those very few innovative tracks from the composer. The rap portions in the mid do seem forced, and should have been cropped out.

Latcham Calorie : Singers - Arjun Menon, Chinmayi, Lyrics - Pa.Vijay

A techy romantic track is staple in his albums, that slot has been filled with Latcham Calorie. Arjun Menon and Chinmayi seem to be the right choice for the mic, thereby providing a fitting Harris typical.

Nenje Nenje : Singers - P.Unnikrishnan, Chinmayi, Pravin Saivi, Lyrics - Kabilan

Nenje Nenje is the next track, a pathos number highlighted by P.Unnikrishnan's vocals. Crafted with a heartening tune, this one keeps you hooked to it. Kabilan's lyrics aren't the best in the book, but something to fill up with.

Nee Vandhu Ponadhu : Singers - KK, Bombay Jayashree, Ramya NSK, Megha, Lyrics - Thamarai

KK, Bombay Jayashree, Ramya NSK and Megha. A superb choice of singers coming together for the last track, which draws the curtains in style. An engrossing techno beat, with flawless vocals along with the Arabian chorus do make Nee Vandhu Ponadhu one of the best tracks in the album. Special mentions to Thamarai for making her words catch our attention even in a fast number.

Once again, Harris Jeyaraj decides to stay within his comfort zone and deliver good music. With little innovation, he takes this album through effortlessly with his usual instrumentations and choice of singers except for the surprise element in Gaana Bala. Just like his other works in the recent past, Yaan will keep you hooked for a while, and then buzz away. One just hopes it stays put till the movie hits the screens. 

Pick : Aathangara

Verdict : Stock disc material from Harris Jeyaraj, peppered with a jolt.

3 / 5

Kochadaiyaan

Performance Capture Technology. Last seen in films such as Avatar and Tintin, it is now brought to our lands at the helm of Soundarya Rajnikanth and her team, in the name of Kochadaiiyaan. One cannot ask for a better lead for this first than the Superstar, as the sea of his fans get to see their hero in yet another tone.

Kochadaiiyaan is the epic saga of a commanding leader of the same name, and his legacy settling scores with the opponents. The movie begins (in ARR's voice-over) with Rana's ( Rajnikanth ) heroics, unveils its twists about a late chief ( Rajni again ), and brings itself to its final stage with a bang, ending in style.

Since this is a photo-realistic film, the performances had to be carried out within 4 walls, and that has been executed to near perfection by the veterans onboard. Rajnikanth's trademark style and mannerisms are recreated to an extent, as one notices that the maximum amount of graphical attention has been awarded to the Superstar. Thalaivar's voice is magic, and that is one reason why it is so heartening to watch him in any format possible. Performance wise, the artists have fit their bills, yet we ponder over how their natural expressions (especially the eyes) have not been brought out onscreen. Deepika in particular, is a joke.

The characters are captured in unique angles, with a special mention going to the fight scenes. Editing by Anthony is crisp, as he had to ensure the right cuts at the right places to avoid drags. Costumes are well etched, colorful and bright. Fight choreography is a lynchpin in a movie of this genre, and that has been taken care off in good proportions. Not to forget Resul Pookutty's realistic sound design, especially his work at the war scenes deserves an applause.

AR.Rahman's music plays a pivotal role in the film, as his BGM induces goosebumps at many places, thereby pushing the film to the next level. Claps to his sounds in Deepika's stunt sequence and the Shiva Thaandavam snippets. The songs have been picturised with fancy ideas, yet act as speed breakers in the second half.

If Rajnikanth is the Superman onscreen, it is KS.Ravikumar who stands in those shoes behind the screen.  His paperwork is top notch, specially the screenplay which possesses very few dull moments. Though the story isn't a big bash, it is the screenplay which is well balanced with romantic, senti and thrill-filled happenings along with enough and more mass moments for the fans to cheer about. Soundarya's direction is apt, and the duo must be lauded for their creative ideas at many instants. Had this been an actual film, it would have touched the skies.

Kochadaiiyaan is by far a new attempt in Indian Cinema, and credit goes to the humongous crew for this film, which carves a new benchmark. However, the animation is a big flaw for the film, as it cracks a crater in its final show. Spare a thought since it's the first time, and go watch this spectacle for it does speak of some superb popcorn entertainment. 

Verdict : A grand parade led by the terrific Thalaivar, brought down by the animation.

3.5 / 5

Mundasupatti (Music)

Mundasupatti is the next offering from CV.Kumar's banner, which has been bankable till date. A comic film derived from a short film of the same name, Mundasupatti is directed by D.Ram. Music is by Sean Roldan of VMP fame, how are the songs this time?

Ambala Singam - Sean Roldan and Haricharan

Sean Roldan begins with this unique intro song, which is backed by a powerful chorus. He scores on the vocals too, as they are in perfect tandem with the orchestrations. A good start to the album.

Idhu Enna - Haricharan

Haricharan seems to be the apt pick for this song, as he brings in a wondrous feel along with the calm instrumentations. Sean hits rock bottom with the interludes, which are mysterious in their own ways.

Kadhal Kanave - Pradeep and Kalyani Nair 

Getting deeper into the album, and Sean has more goodies in store. Kadhal Kanave, with charming vocals by Pradeep and Kalyani Nair is another soft romantic track with a superb violin twist stitched to it. Lyrics here are noteworthy, this song is a beautiful listen on the whole.

Killadi Oruthan - Anthony Dasan

Anthony Dasan's hard vocals make Killadi Oruthan a loud and frisky number. Although the song has praiseworthy instrumentations, it is one of the dark ones in the album.

Rasa Magarasa - Rita, Anthony Dasan and Sean Roldan

Sean Roldan grabs the mic once again with Rita and Anthony Dasan alongside him. Rita shifts gears to village-ish voice modulations, as Sean is perfect with his high and low pitch crooning once again. Though similar to a recent hit song, this track is a great listen until its abrupt end. The solo version is on the same level too.

Uchiyila Udhichavane - Vivek Narayan

This is complete Tamil folk, a track solely for the film. Quick cap to the album.

Sean Roldan, surely is a huge bag of talent. Every song in Mundasupatti is unique in its own ways, at the same time providing the rural flavour. The orchestrations and sounds are well carved out, as the album is a good balance of potential chartbusters and film centred songs. A convincing album, to say the least.

Pick : Kadhal Kanave

Verdict : Novel stuff from Sean Roldan, once again.

3.5 / 5

VPA (Music)

Following Sivakartikeyan, Santhanam makes his debut as hero with Vallavanukku Pullum Aayudham. Officially derived from the Telugu hit Maryada Ramana, VPA is a comic movie brimming with interesting elements. Siddharth Vipin composes the music, how have the songs come out?

Takkaru Takkaru - Singer : Mukesh, Lyrics : Lalith Anand 

Here's an intro song for our new hero, Santhanam. Sounding more like an intro song of the Ilayathalapathy in his earlier days, this one is a complete dance number. The trumpet bit is a catchy one, along with the energetic vocals of Mukesh.

Oh Oh Nadhigal Oda - Singers : Naresh Iyer, Shreya Ghoshal, Lyrics : Na.Muthukumar 

Munbe Vaa's duet machines return for this superb romantic number. Composed with a techy feel, this song has a healthy combination of captivating vocals and charming interludes.

Otrai Devathai - Singer : Karthik, Lyrics : Madhan Karky 

Karthik slots in with his amazing voice for this one, which is brought down by the basic orchestrations. Thanks to Karky's lyrics, this is a good number overall.

Chellakutti - Singers : Ranjith, Vishnupriya Ravi, Lyrics : Lalith Anand

A kuthu song is mandatory these days in every commercial film. Chellakutti fills in that space. That's about it.

Vaada Paa Mappilai - Singer : Anandhu, Lyrics : Muthulingam

Anandhu, a new singer is roped in for this song. Being a motivational track, this song is the cat on the wall, as it might fit the proceedings in the movie.

The album which begins on a high, fizzles out to become an average one at the end. Though this isn't different music, it will suffice to the movie's requirements. Hopefully.

Pick : Oh Oh Nadigal Oda

Verdict : Run-of-the-mill commercial album from Siddharth Vipin.

2.5 / 5

Arima Nambi (Music)

Being the first film for Anand Shankar, an assistant of AR. Murugadoss, Arima Nambi is said to be an action thriller. Vikram Prabhu's 3rd film, it stars Priya Anand alongside him. Cinematography is by RD. Rajasekar as Drums Sivamani makes his musical debut with this one. So, how good are the songs?

Idhayam : Singer - Javed Ali

The album starts off with the song that was released as a teaser few days ago. Javed Ali's vocals are the saving grace to this middling tune which has little innovation embedded. The stunning visuals will make up for the song, hopefully.

Naanum Unnil Paadhi: Singers - Alma and Rita

Ever since the first minute which is purely instrumental, this tune never captivates and turns into a tedious listen as it gets gibberish towards the end.

Neeyae Neeyae: Singer - Shreya Ghoshal

Sivamani must be lauded for the instrumentation in this one, made out of water droplets. Yet, it becomes monotonous halfway, thereby finishing on a crawl. Another turn down!

Yaaro Yaar Aval - Shabbir and Runa 

Just when the album is digging its own grave, Sivamani gives us a rock number which is worth a few listens. Shabbir's stylish pronunciations take this song to a respectable level, though the sounds do take a beating at places.

Theme: Instrumental 

Who would have thought that the best track in the album would be the theme of the movie? Well, it is. Sivamani makes use of the electric guitar and the drums as things finally fall into place, right at the end of the album.

Sivamani seems to be finding it hard to get a stellar track on the shelf for his debut effort. The orchestrations are waggy, as listening to the first half of the album really does test your patience. Here's a word to director, if you have faith in your narrating skills, cut a few songs off cos they might just ebb out the flow of the movie.

Pick : Yaaro Yaar Aval

Verdict : Unexciting debut from Sivamani.

2 / 5

Un Samayal Arayil (Music)

Helmed by Prakash Raaj, Un Samayal Arayil is the Tamil equivalent of the Malayalam hit, Salt and Pepper. It marks the return of the living legend Ilayaraja to the musical front, as he brings out 4 tracks for the film. Do they possess his magical touch? Read on.

Indha Porappudhan : Singer - Kailash Kher, Lyrics - Palani Barathi

Kailash Kher starts off the album with his unique voice, as he carries the song single handedly with the minimalistic tune. The lyrics of the song, which stress on the importance and taste of food are catchy.

Eeramai Eeramai : Singers - Ranjith, Vibhavari, Lyrics - Palani Barathi

Ranjith and Vibhavari come together for this pleasant duet, which is built on the trademark style of the maestro. Filled with simple instrumentations, Ilayaraja makes it count in the interludes. A light and lovely listen.

Therintho Theriyamalo : Singers - Karthik, Ramya NSK, Lyrics - Palani Barathi

The vocals of Karthik and Ramya NSK fit perfectly into the charming tune of Therintho Theriyamalo, which is arguably the best track in the album. Karthik's croons this track with ease, adding a lot of life to the song, which is gifted with apt lyrics. The interludes however are strong, contrary to the fairly gradual chime of the song.

Kaatru Veliyil : Singer - Ilayaraja, Lyrics - Palani Barathi

It is none other than the legend himself crooning this track, a slow number in pathos. The heavenly voice of the maestro is honey to the ears, along with the music which sure is slow poison.

Ilayaraja has stuck to what he is known for, and in turn has come out with a few beautiful melodies. None of the songs are loud on the ears, as they make do for perfect listens. If you are a lover of fast beats, you've come to the wrong place. Else, this album will surely catch your attention.

Pick : Eeramai Eeramai

Verdict : Polite and likable soundtrack from the maestro.

3 / 5

Vadacurry (Music)

Vadacurry began with Yuvan as the composer, only to lead to him stepping down, paving way for a new gen composer duo, Vivek - Merwin. They together, have come up with 4 songs, along with a guest track by Yuvan.

Kelanganne Kelunga : Singer - Gaana Bala, Lyrics - Lalitha Anand

The introductory track for the film, which talks about the hero and the stories spun around him. The song flaunts a catchy tune, and can easily be picked to be one of Gaana Bala's comparatively better renditions in recent times.

Nenjukulla Nee Minnaladipa : Singers - Vijay Prakash, Diwakar, Ajesh Ashok, Lyrics - Ponraj 

A lovely listen right from the beginning, Nenjukulla Nee is a total delight. Ranging in from the unique voice of Vijay Prakash to the mesmerizing Super Singer Diwakar and Ajesh Ashok, this light folk number is a perfect combination of drum and guitar orchestrations. The verse 'Kandapadi Kandapadi Kolluthathi Kallavizhi' and the tune following it is the high point of the song.

Low Aana Life : Singers - Anirudh & Andrea, Lyrics - Harish 

The most expected song from this album, thanks to Sunny Leone. Anirudh and Andrea are roped in to croon this one, and they end up doing the best of what's expected from them. The song which takes on off on club beats turns to kuthu in the second half, ending with some wildly whacky lyrics.

Ullangayil Ennai Vaithu : Singer - Siddharth Mahadevan, Lyrics - Snehan

An experimental track from the duo which doesn't manage to garner much. Shankar's Mahadevan's heir Siddharth Mahadevan takes the mic for the first time, and he does finish on a decent debut. Had some effort been put in on the deteriorating tune, things would have landed on the greener side.

Uyirin Mel Oru Uyir Vanthu : Singers - Priya Hemesh & Sathyan

Composed by Yuvan, this song is a light melody inside Yuvan's comfort zone. The tune reminds you of Yuvan's olden days, as it doesn't get too loud, making it a pleasant listen. Priya's voice fits the song like a T, Sathyan is adept in the male column too.

Composers Vivek and Merwin have put in a fair bit of experimentation while cooking up this curry, keeping in mind the fundamentals of a commercial album. They must be lauded for their choice of singers, who work in favour of the album's motive. Vadacurry is perfect playlist material which will find its place on the charts soon. Welcome to Kollywood, Vivek and Merwin!

Pick : Nenjukulla Nee

Verdict : A youthful soundtrack which is high on energy.

3.5 / 5

Tenaliraman

Loved by many, Vadivelu is undoubtedly one of the greatest comedians that Tamil cinema has ever seen. Following a long hiatus, the veteran returns to the silver screen with Tenali Raman, which is a the fictitious take on the mythological character of the same name. Directed by Yuvaraj Dhayalan, Tenali Raman has Meenakshi Dixit as the female lead alongside a strong supporting cast. Music is by the happening composer, D.Imman.

The fate of the kingdom is at bay, as the king's (Vadivelu) ministers hatch a plan to earn themselves big bucks from their Chinese counterparts. The honest minister gets his throat slit. Enter Tenali Raman (Vadivelu, again) to fill his spot. He, who is sent by his clan to kill the king, slowly learns that the ministers are the cause of trouble in the state. What happens there-after to both the Vadivelus? Does Tenali Raman take the wrath of the dishonest ministers, while breaking the truth to the king? Find out at a screen near you.

This is Vadivelu's much celebrated comeback. In every scene, the comedian oozes with confidence, hitting the zenith with his vintage style. Instead of playing the scapegoat like most of his earlier movies, Vadivelu plays the role of a witty minister here as the scenes are carved with a lot of brainy comic elements. Both the roles are differently etched, and Vadivelu easily maintains the space between them. Meenakshi Dixit as Vadivelu's love interest is fine, while looking good too. The rest of the cast fit the bill, out of which Mansoor Ali Khan's role does stand out.

Talking about the technical aspects, Tenali Raman possesses some skilful cinematography, with some highly impressive artwork. Well aided by the graphic team, the premise in which the movie is shot is bright and colorful, as the art director must be appreciated for bringing in the royal feel to the film. Editing passes muster, as a few unwanted scenes could have been taken off to close in on a crisper product.

Musically, this is a rather bitter effort from D.Imman as none of the songs work in favor of the movie. The BGM is just about adequate.

Yuvaraj Dhayalan, surely has great talent. To churn out a movie which is hyped as a comeback film along with a humongous supporting cast is not an easy task, and one can easily count this one as a talk able effort. Hats off to the dialogues, as they fit like a T to the script. Yet, the movie dips at the crucial places where it should have scored, leading to a cap on the excitement quotient throughout. Tenali Raman is worth a watch if you want to get a glimpse of the vintage Vadivelu onscreen. Else, you better wait for the DvD. 

Verdict : Copacetic period comedy highlighted by Vadivelu's performance.

2.5 / 5

NSM

Action thrillers are one of the most sought out genres among the Tamil audience, for if they are coupled with a strong theme and proper execution, will go on to strike gold at the box office with high audience satisfaction. The Tamil New Year weekend sees Vishal's Naan Sigappu Manithan gracing the screens, as the hunk joins hands with Thiru for the third time after TVP and Samar. With Lakshmi Menon as the female lead, NSM has Jegan, Sunder Ramu, Saranya and Jayaprakash among the starcast. GV.Prakash takes care of the music, while camerawork is by Richard M.Nathan.

NSM begins in style as Vishal is introduced as a man who wants to fulfil 10 specific desires in life. The flashback portions reveal that Vishal is a patient of a neurological sleep disorder called narcolepsy, right from his childhood days. The first half runs across as Vishal fulfils his desires one by one, with equal importance given to each of them. With only one desire left, an unfortunate incident takes place in his life. What happens from there-on, and how does Vishal solve his problems with the narcoleptic hurdle is what Naan Sigappu Manithan is all about. Take my words, and run to a theatre to find out the answers.

Talking about the performances, it is pretty hard to point a chiding finger at any of the characters involved. Vishal is at his best when it comes to action movies, he is no less here. Playing the role of the narcoleptic patient to near perfection, this is one of his performances which he can be proud of. Lakshmi Menon, in her all new makeover looks slim and trim, and emotes well too. Her acts at the interval scene are clap worthy. Jegan's comedy works bringing out instant laughter at apt places. The rest of the cast, including Saranya Ponvannan, Jayaprakash, Sunder Ramu, Iniya and the villains are adequate. Iniya deserves a special mention for creating an impact in a fairly limited space.

Richard M.Nathan's camera catches hold of the happenings in lustrous fashion. He must be lauded for the use of handheld and rigged cameras at various places to provide a different angle. Editing by Ruben is good, although the second half could have been cut down a little to raise the level of excitement. Stunts are an important aspect for a film in this genre, and NSM scores well in that area.

GV.Prakash's music doesn't create the much needed magic on screen, except Yelelo which is creatively picturized. The BGM, although fitting is an arrant rip-off from the Hollywood shelves.

The biggest asset of NSM is Thiru's screenplay which keeps you engaged till the very last frame. Though the film does take a plunge when it comes to mentalities in the second half, it never loses grip over the main quotient. The childhood episodes and the college scene in the first half are clever, as even the love portions are well entwined around the narcolepsy factor. Packed with twists and turns, Thiru's notion to stick to the basics and avoid heroism are a huge positive. Credit goes out to him for canning the intense scenes with an aim which isn't harrowing.

With a little more care in the second half, NSM could have scaled a greater height. Nevertheless, it is a saleable commercial thriller with all the elements you'd ask for, backed by a promising screenplay. NSM is a career boost for Vishal, and undoubtedly Thiru's best till date. Go book your tickets, you won't be disappointed. And I'm not lying. 

Verdict : Vishal sleeps, you dont.

3 / 5

Saivam (Music)

Produced under his own banner, Saivam is AL Vijay's dream project which is finally shaping up for its big screen grace. With Baby Sara, Nasser and Baasha in the cast, Vijay sticks to his trusted team of Nirav Shah and GV.Prakash for the respective duties. Lets see how this album has turned out.

Azhage Azhage : Singers - Utthara Unnikrishnan, Lyrics - Na.Muthukumar 

With her ability to babble out the lyrics with a highly captivating vocal nature, Uthra Unnikrishnan strikes gold with her debut song, Azhage. Her pronunciation must be lauded as the team has taken great care to bring out the perfect output. Na.Muthukumar’s lyrics are charming too, this album begins on a high!

Kokkara Kozhi : Singers - Gaana Bala, Chinnaponnu, Aswitha, Harish, Aishwariya, Lyrics - Na.Muthukumar

GVP’s albums these days are incomplete without sending one through Gaana Bala’s throat. And you get to hear him once again, along with Chinnaponnu. The portions sung by the little kids are the capturing ones in an otherwise middling number, which is aimed to be a peppy number to filmed around Baby Sara and her impish mannerisms. 

Orey Oru Ooril : Singers - Haricharan, Lyrics - Na.Muthukumar

Orey Oru Ooril is a trademark melody from GVP once again, as Haricharan is roped in to fill in the vocal column. The song is crafted using minimalistic orchestrations with the tabla at the forefront, until the second interlude, where it skips to the next level. Haricharan does manage to enchant you with his voice, which is very much the scoring point of the song.

Moments of Life : Instrumental

Here is the instrumental in the album. Being a master of instrumentals himself, GVP scores in this one which will be a beauty onscreen, sans any doubt.

GVP has stuck to the basics in Saivam. Keeping it simple and scoring with the basic essentials, he has brought forward an album which distinctly clings on to the theme of the film. Though the album wont be a commercial sellout, it dwells its importance on the film, which is what matters. 

Pick : Azhage

Verdict : An enduring soundtrack on terse proportions.

3 / 5

Maan Karate

The summer season begins, as this becomes the hot spot for the big films to grace the screens, garnering maximum attention thanks to the holiday season. The month of April kicks off with its first big release, Maan Karate which boasts of its lead Siva Karthikeyan, who has now become a household name. With ARM penning the story, Maan Karate has the bubbly Hansika and the Little Master Anirudh as its spearheads.

The movie kicks off with a group of friends wandering into a forest, only to come across a saint. Sathish (Edhirneechal fame) asks the saint for a boon, which ironically turns out to be a newspaper on the day of Ayudha Poojai. While going through the paper, they come across some news incidents which are about to take place in the coming days. One of them is about a local dude Peter ( Siva Karthikeyan ) winning the upcoming boxing tournament and dedicating the cash prize off to these friends.

The story of how Sathish and his friends come across Peter, his love interest Yazhini ( Hansika ) and the happenings thereafter is what Maan Karate is all about.

Starting off with the casting, it is Siva Karthikeyan who steps in to be the live wire of the film. Albeit being repetitive with his mannerisms, his comic timing does evoke quick giggles. Such a role is a cakewalk for him, barring the climax where he has put in a few efforts to jump into the shoes of a boxer. Hansika who has ostensibly thinned down, now looks like a dream. Putting up super cute expressions in the songs, she is an asset to the movie. Vamsi Krishna as the villain is apt, and a special mention to the lady playing his wife too. Amidst the group of friends, it is Sathish with his one-liners and Aswathi who impress. Unfortunately, Soori’s cameo in the film is an absolute turn off.

Sukumar’s camera is one of the scoring points in the film, especially in the first ten minutes where every frame is truly breath-taking. His lighting and camera placements in the song sequences and the climax is highly commendable. Editing could have been a touch crispier, as the second half drags around and could crop up with some trimming. Anirudh’s music is peppy with colorful visuals, but the same cannot be said about the BGM which is pretty boilerplate.

Making use of AR.Murugadoss’ story, Thirukumaran could have worked harder on the screenplay to bring out a convincing product. Instead, we are led to a fun first half, which is followed by a highly predictable and cliché ridden second.

Things like the lewd comic scenes and forced song inducements do not work in favor of the film either. Thanks to the reach of its main lead and the heavy buzz, Maan Karate will cross the bar. The later stages, are left at bay.

Verdict : This boxer packs a punch which is half as powerful.

2.5 / 5

Tenaliraman (Music)

Tenali Raman marks the re-entry of the vivacious Vadivelu back on the big screen. After a hiatus, this film has the comedian in a dual role, along with Meenakshi Dixit and an array of supporting artists. D.Imman has scored the music for the film, time to assess his tunes for this one.

Tenali Raman marks the re-entry of the vivacious Vadivelu back on the big screen. After a hiatus, this film has the comedian in a dual role, along with Meenakshi Dixit and an array of supporting artists. D.Imman has scored the music for the film, time to assess his tunes for this one.

Aanazhagu : Singer - Shreya Ghoshal, Lyrics - Viveka

With the charming voice of Shreya Ghoshal, Aanazhagu is a melodious number sung towards a handsome individual. The use of hiccup sounds turns out to be a unique idea from Imman, which works in favor of the song. The composer makes use of classical instruments like the tabla, working well with Viveka's lyrics.

Aey Vaayadi : Singer - Krishnaraj, Lyrics - Viveka

Krishnaraj takes the mic for this quick number with the use of Imman's template beat. Just an average song to listen to, with nothing special about it.

Udal Vangalayo Udal : Singer - Andrea, Lyrics - Viveka

Probably an item number in the film, this is a solo track with intuitions from the Mid-East. More of a belly dance jingle.

Nenje Nenje : Singer - Hariharasudhan, Lyrics - Viveka

With engrossing lyrics from Viveka, Hariharasudhan provides his fitting voice to Nenje Nenje, which is an inspirational song with minimalistic instrumentation from Imman. One of the saviors of the album.

Rampapa Rampapa : Singer - Mukesh, Lyrics - Pulamai Pithan

Attempting to carve out a fun filled track to be the intro song for Vadivelu, Imman ropes in Mukesh to sing out Rampapa Rampapa. The album ends on a low as this song doesn't ebb the flow of the songs which were already on the wane.

Not an ounce of what one expects from D.Imman is felt in the album, making it a banal listen towards the end. Hopes are now pinned on the colorful visuals which might take the album to the audience with a positive effect.

Pick : Aanazhagu

Verdict : A bromidic album from D.Imman this time.

1.5 / 5

Maan Karate (Music)

Anirudh's fifth album is here. With the bubbly pairing of Sivakartikeyan and Hansika, Maan Karate is an upcoming light hearted entertainer which boasts of its story written by AR. Murugadoss. Does Anirudh have another winner for us?

Darling Dambakku : Singers - Benny Dayal, Sunidhi Chauhan, Nivas, Kalpana, Lyrics - Yughabarathi

The album begins with a kuthu track. Surprisingly, it is Benny Dayal and Sunidhi Chauhan jumping out of their comfort zone to croon this one. The 'Darling Dambakku' bits are the high points in an otherwise light-folk number. The reprise by Nivas and Kalpana, is half as impressive.

Maanja : Singers - Anirudh Ravichander, Lyrics - Madhan Karky

Looks like an Anirudh album can never close it's doors without him singing at least two songs. Maanja is the first of them, which has a James Bond-ish tune to it. Madhan Karky's lyrics are the kingpin, where he puts in his quirky mind to bring out some real whacky lines. The English rap bits are the blips here, yet Anirudh's voice helps us overlook the negatives.

Un Vizhigalil : Singers - Anirudh, Shruti Hassan, Lyrics - RD Raja

Anirudh again. This time with Shruti Hassan, he takes it to another level. Aided by some wonderful work on the violin, this song is an absolutely beauty, albeit being a slow go.

Royapuram Peter : Singers - Sivakarthikeyan, Paravai Muniamma, Lyrics - RD Raja

Time for Sivakartikeyan to grab the mic for a kuthu song once again. Having Paravai Muniamma alongside, SK brings this number to life. RD.Raja's lyrics are witty, but it is the music here which crosses the noise bar, allowing itself to dominate over the vocals. Just an average intro number.

Open the Tasmac : Singers - Deva, Anirudh Ravichander, Lyrics - Gaana Bala

Anirudh brings in Thenisai Thendral Deva to sing this anthem, which talks about booze. Deva gets into his famed form, halfway through the song as this instantly becomes a must-play at the bars. The Goundamani dialogues at the end are well etched, providing a fine finish to the song and the album as well. A definite cling on for lovers of the genre.

Unlike his previous album, Anirudh has opted for a good ring of singers in Maan Karate. However, he seems to have created a zone for himself and has striked a jackpot within. Time is here where he should begin experimenting new genres, which will express musical diversity, rather than sticking to a stereotype. Maan Karate is an enjoyable album, just.

Pick : Darling Dambakku

Verdict : Another fireball from Anirudh, within his boundaries.

3 / 5